watch now! detail...
- i am home. look, i-- yeah, you're right.i don't know. but this is metrying to figure it out. um, dad, i'm aboutto get on the subway, so you're going to lose me. [sighs] - we're not wasting time.we're just kind of-- - we have a plan.
- we're just sitting arounddoing nothing-- - this is the plan.i know. we just got to getback on the train. - okay, let's go.- well, you want to ask someone? - i don't want to ask anyone.i just want to get going. let's just... - can you please talk to me? - not here. - now arrivingat hollywood/highland.
please stand clear. [tense music] ♪ ♪ - [sighs] - the next stopis hollywood/vine station. - rubina, please. - ah! [silence] - [breathing]
sir? i'm sorry. thud! - [coughing] - adam. adam! oh![crying] adam. - oh, babe.
i'm sorry.i'm sorry. - no. no.no, no. [screams]somebody help me! somebody help me! dillon. oh, no, baby. oh, no.no, no, no, no, no. come on.kristine. oh!kristine!
[grunts] - you're going to be okay. [glass shatters] - hey.you hurt? - no, i'm okay. - are you guys okay? - yeah. anyone alive back there? - no.
is he? - he's gone. look out. - hey, what are you doing? - i'm looking for his radio. - don't bother. there's no signal down here. - okay, if i can find his radio,it might still work. i'll check back here.
- come on.people need our help. - come on. oh, baby. hey, kristine. stay back, dillon.stay back. oh. baby. - jared, i'm hurt. - what?
my god. - dad, what's going on? - dillon, stay back! okay, baby. honey, it looks likeit's still attached to the wall. i'm gonna get you out of here.breathe. look at me. look at me.- i'm sorry. - no, no, i'm gonnaget you out of here. - oh, baby.
- oh, baby, listen. she's hurt,but she's gonna be fine. look at me.look at me. be a big girl for mommy, okay? okay. - what can i do? - [speaking spanish] - i don't-- - hey, buddy.
you okay? - i can't find my script. - well, maybe we can find thatlater. are you fine?[crashing] - what was that?- shh. [men talking in the distance] i hear voices.i hear voices. i just need to--sweetie,you stay here with mommy. i'm gonna get us out of here,okay?
someone's gonnaget us out of here. - this whole tunnelcould come down. [metal bangingand gravel clattering] - oh, thank god. are any of you a doctor? - she might be,but she only speaks spanish. - hey, that's fine.my wife and kid can translate. come on. hurry.
- wait, are you a doctor? - she'll be back.- no, no, he can't wait. - my wife's injuries are worse.she'll be right back. - he can't wait! please! please!he can't wait. please.thank you. - we don't even knowif she's a doctor. she can't even speak english. you have to listen to me.
my wife can translate,but she needs help first! - pero no puedo ayudarte. - i don't understand. he'll be okay, right?he's fine. - i'm sorry.come on. come on.hurry, hurry. - [crying] oh! - sir?
he's alive.- oh, shit. - no, no, no, it's okay.don't move. - hang on.we'll get you out of there. here.help me move this. help me move this. - what happened? - honey, i'm gonna be okay,all right? this lady's gonna help me, okay? [speaking spanish]
- yo puedo ayudar a tu mama. - what did she say, baby? - she says she can help. - [speaks spanish]doctor pronto. - i thought you were a doctor. - what do you mean? you're not a doct--hey, hey, hey. - [speaks spanish] - oh, she's a nurse, okay?she's a nurse.
- she was a nurse. - hey.what do you do now? how do you say that?baby, how do you say that? what do you do?what do you do now? - ama de llaves. - she cleans houses. thank you. - it's okay. there was an accident.we were on the red line.
all right? - that accidentwas an earthquake. you guys didn't feel that? - these tunnels should withstanda 7.5. if there was an earthquake,it was a big one. - here.let me try. - one, two, three. push. - it wasn't an earthquake.- how do you know?
- the smell.it's like fireworks. unless these trainsrun on gunpowder, i'd say a bomb went off. - like a terrorist bomb? - no, no, no.we can't say that for sure. stop freaking everybody out. - three tours in iraq.i know that smell. - okay, whatever.just get him out. [all grunting]
- shit.this isn't gonna work. we need to findsomething stronger. - we're gonna get you out, okay?- thank you. - it's okay, adam. i'm right here. - you'll be all right,babe. say it.you're gonna be all right. - i'm gonna be fine. i'll be fine.
[sobbing] - if we had some kind of wrench, we could take outthe whole seat. - i saywe just break the damn thing. - oh, and break his spine too? - if it's all the same to you, i'd preferyou not break my spine, thanks. - hey, we need some more helpback here. - is everything okay?
- she needs more suppliesto clean her wounds. we need rags, anything. - i have alcohol.- great. listen, could you take themto her? i'm gonna go get help. - oh, dude,it's raining concrete out there. - hey, i'm coming with you. - wait, wait, wait, wait, wait,please. get me out of here first.- my wife can't wait!
- look, just keep workingon getting him out, and i'll be right back. - you coming?- yeah, yeah. gonna need some light. - it's jammed. on three.one, two... we were in the middle car. what happenedto the rest of the train? - hold on.hold on.
all right, follow me. - oh, my god. - looks likethe train nose-dived. all right. we're not getting out this way. hey.hey. this way.come on. - hey. um, your dad sent me overwith these supplies.
he's looking for help right now,okay? hey, i'm tori. - thank you. i'm kristine.this is my daughter, dillon. you know...yolanda, is it? - yolanda, si. - whoa!look at the floor! - it's coming from outside. - in here!- hey!
help us!- dillon? - we need a doctor! - dillon. - dad? - it's us, sweetie.can you see this light? dillon! dillon, can you hear me? - there we go. - thank you.that's good.
that's--that's good. the pressure'sbeginning to ease. so the guys outsidemay have found a way out, but they need you. - me? - yeah.come on. - wait.you're going out there? - we have to. - i'll be right back, man.i swear.
- no way.they can't need all of ya. - all right, this way. - no.- guys, come on. - come on.come on. hey, watch your step. - over here. what are you guys doing?all we need's the little guy. - how is this a way out? - down here.
there's no way to tell if it goes all the way through,though. - i mean, it's too tight for us. but, um, maybe... - you want me to go in there? - wait, what makes you thinkit goes anywhere? - look. - a lightat the end of the tunnel. hey, look, it moved.- yeah.
i tried crawling inas far as i could and calling out,but no one answered. - hey, listen, um... i don't know; maybe you canget in a little bit further. i wouldn't ask, except--- i can try it. - no, no, no.no. no, i'll go.i should go. - no, neither of you should go.it's a death trap. - more than out here?
- no, i can--i can do it.it's fine. i mean, they're probably going to make a movieabout this someday. right? i've always wantedto play the hero. - good luck. - hey, you should take this. - okay, watch your step.watch your step. - hey, so what's your name?
- boyd. boyd milligan. - you're an actor, right? you--you recognize me? - i saw you reading a script. - oh.right. - but i--i'm pretty surei recognize you from somewhere, like, a--like, a commercialor something? - yeah, is itthe one with the guys
dressed uplike the solar system? - uh, yeah, yeah. you were one of the planets,right? - right, i was. i can't believethey're still running that one. - so which planet were you,boyd? - uranus. you know, it-- [creaking noise]
it's getting pretty tight here. - this is not good. we have to get him out of there.- shh. [crash]- ow. - boyd? - i think i saw a spider. ah!ah! - boyd, you all right? - no, it's okay.
i just--i just gota little cut. - come on.keep going, boyd. just a little bit further. - i think i found a way through. stay in character. be the hero. pretend like you're notshitting your pants right now. it's getting brighter. - good, good.
- i must be close. hello? you got to be kidding me. - what is it? - it's a fricking computer. there's no--there's nowhere to go. i don't even thinki can turn around. [rumbling] ah!
- boyd!boyd, come back! - stay back!- boyd! boyd, can you hear me? - come on, buddy!are you there? - answer me! - come on! - boyd! - did you find a way out? - no, i didn't.
the tunnel collapsed,the actor is dead, and it looks likewe're stuck here till they dig us out. that's my pack. - it's my fault; i asked her to gatherall the bags and purses. if we're going to be herefor a while, we might need to rationwhatever supplies we find. i hope you don't mind.
- it's a good call. - your boyfriend? i'm gonna go check on my wife. did you find a way out yet? - not yet, baby, but... daddy's gonna get usout of here. i promise. - that's it. that's it.that's it.
- faster.wind faster. - [grunts] oh, thank you.oh, th-- - she with you? that's my wife. i didn't rememberthat she was even on the train. she's-- she's claustrophobic.she never comes on the train. please hurry.hurry.
- thank you.baby? oh, god. - dad, push harder. - [cries out] it's okay. - hey, hey, i got something. come here. it's like a whole hospitalin there. - why would you locka first aid kit?
- that's not a problem. i'm good at locks. - another bomb. - it's an i.e.d. a big one. we got 12 minutes to figure outhow to disarm it. - that's a really badfirst aid kit. - oh! [groans]
- hey! mister! - now is not a good time. - we need you back here. - i said now is not a good time! - i know,but it's life and death. - dad. i got it. - what if there are more?- no.
when there's more than one bomb,there's usually only two. i teach history.it's not an uncommon tactic. the first bomb, perversely,draws a crowd, and the second... - let's make sure. check everything. carefully. - what's going on? oh, my god.
- please tell me you havesome hurt locker skills. - i know enough to know that weshouldn't mess with this thing. - well, we're gonna have tomess with it at some point. so what if we, um... push the stop buttonon the phone? - what if the stop button'sa false trigger? - what if we pulled both wiresat the exact same time? - no, no,i say we clear the train, get out of here.
- and let it go off? this tunnel can't takeanother blast. i wouldn't pop a balloonin here. - wait, what about putting itin that little tunnel? where boyd is? - yeah, yeah.no, that's good. if we get it far enough, it could absorbmost of the shock. - hell, no. my wife isright beside that tunnel.
- then we move her.- that would kill her too. - besides,it's still an enclosed space. pressure wavewon't have anywhere to go. - i votethat we attempt to disarm it. now, we're intelligent people.we can figure this out. - why is it in a first aid kit? - 'cause it's perfect camo. you could mount itright on the wall. - yeah, but it wasn'ton a wall.
it was in a bag. what if the person who did itis still here? - what do you mean?like a suicide bomber? - that doesn't make any sense. look, there's a timer, right? that shows the bomber intendedto be miles away before this thing went up. - yeah, intended. but what if the first bombwent off early?
yeah, a synched blast, that makes a lot more sense. - what about the whole thing about a first bombdraws a crowd? - yeah, but how do you drawa crowd in a collapsed tunnel? - wait, wait, wait.did you-- you're saying that the bombercould still be on this train. - which means he's dead... or one of us.
so what happens now? - if he's aliveand wants to stay that way, he better speak up. - [laughs]oh, that's great. would the mass murdererjust please step forward, huh? - what if he already told ushow to disarm the bomb? - what, me? - you just said, pull the wires at the same time.
- you are shitting me. - he was offering suggestions,okay? and so were you. but i don't look likea terrorist. - you think i'm muslim?dude, you are way off. - listen, let's just notget carried away, guys. - nine minutes. - look, if i'm wrong,i'm sorry. but most terroristsdo look like you.
- i'm muslim. and my fiance is--was too. - i am not sayingit is definitely him. i don't know who it is. we're all suspects here,including me. but we are running out of time, and we better startplaying the odds. and the fact is, most terrorists are young menof middle eastern descent.
- or pasty-facedmilitary psychos. oh, we have any of those here? - that's your name? - dude, you are wasting time. - then tell me your name.quickly! - al.- al what? - qaeda. hernandez. it's brazilian.
- but you don't speak spanish? - brazilians speak portuguese,dumb-ass. and my name is from brazil.i'm from michigan. here.you don't believe me? here.alberto hernandez. born in grand rapids. i own a snowblower,and i root for the pistons. can we disarm the bomb now? - come--this is not getting usanywhere. come on.
- we have eight minutes. - i found something. engineering books, mostly on subways, trains. - oh, hey, maybe there'san i.d., all right? all right, look. there's pictures. there's tunnels and stations,okay? it's all of l.a. metro.
this--this has got to bethe bomber's, okay? - is it yours? - [gasps] - what?what is it? - it's you. - i'm not the bomber.i swear i'm not, okay? i'm not the bomber. whoa! whoa, whoa, whoa, whoa.whoa! - where did you get that?- from the cop.
- no, no, no, please. i'm--i'm not the guy, okay? i'm doing my master'sat usc, okay? okay, transportationengineering. my thesisis on the new wilshire line. i swear. i practically liveon these trains. - before, you said pullthe wires at the same time. is that true?- it was a guess! - tell me!- i don't know!
- is that the truth? - look, i'm not the--look, stop him, all right? i'm not the one holding a gun! - just stop it!- tell me how to disarm-- - stop it! - ah!thud! - [yelling] - scumbag,i'm gonna kill you myself! - dad!what are you--
- dillon.dillon, dillon. hey, sweetheart.sweetheart, are you okay? hey.hey, hey. - what are you doing to him?- shh, shh, shh. you gotta go backand see mom, okay? no, no, no, no,look at me, baby. listen, go back to mom, okay? go now.go. - 6 1/2 minutes!
- wait.what are you doing? - pull his bad armout to the side. - pull his bad armout to the side! - please don't!this isn't right. - uh! uh! no, please!no! - it's just pain. it'll be overas soon as you tell us. - i don't know anything.
please, no. [screaming] - no.just stop. - please, just stop!- stop! - do you want to guesshow to disarm it? - if i tell you, it'll only be becausei want you to stop, because i made it up. stop! stop!
stop! - all right, enough. - i'm not the bomber. - enough!now, listen to me. even if he spoke the truth,how would we know what it is? how would we know what it isafter this? we wouldn't. now, we have to relyon the information he gave us when he thought he was safe.
huh? - so pull both wiresat the same time? - yes! because i believethat you want to live. you want to live, don't you? i'm going to take that bomboutside. i'm going to pull those wires unless you tell me not toright now. - fine.do it.
do anything.just do it. - that's good enough for me. - no, no, no! wait, wait, wait, wait!just wait. what if he wasn't the bomber? - why would you say that? - because i just rememberedsomething. if that's his bag, then the other onecouldn't have been his.
- why not? - he wasn't carrying two bags. - how do you know? what, you havea photographic memory? - no.- what was i carrying? i was right across from you. - he wasn't...carrying... two bags, okay? i would have noticed.
- i'm going to take itto the tunnel and disarm it in case we're wrong. - no, no, no, no,you can't do that. my wife is still in that tunnel. - it's the best chancefor the most people. you got four minutes. - somebody else should do it. - you got a problem with me? - no, i don't have a problemwith you,
but you are the personwho has the experience necessary if this bomb blows up. it's got to beone of the rest of us. we decide right now.right now! which one? - i--i'm the smallest,and i can get-- - no!i am gonna do it. conversation over. - no.i'm doing it.
i'm the oldest,i've lived a life, and my wife is dead. i'm doing it.conversation over. - i'll take you to the tunnel. - i'll be back in four minutes. - oh, stop!no, stop! no more.- now, we have to. - i said no more.i can't. - hey! hey!stop!
- dad!we have to do this. - okay. - we did it. - tell yolanda that she's--she's needed in the back. - she needs to hurry. - emergencia. - we found a bomb. it's okay;we know how to disarm it. but now they want to take it...
to where it might causethe least amount of damage. - go with your dad. - no, i'm staying.- go with your father. - it's not safe here, baby.come on. - but what about mom? - hey, you kidding me? did you see what your momwent through today? your mom can survive anything. - do exactly what he said.
- i know. a light? - no, you need--look, you needto go to the back. there's another bomb. - bomb?- yes, come on. come on. - get her to the back. - okay, come on.i'll be right back, okay? - no, stay there, okay? what are you doing?
- i'm getting the key. - forget about the key. just stay there, all right? i'll--i'll figure this out.i'll be fine. - i'm gonna help you get out. - listen. i need you to go back there,okay? there are onlya couple minutes left. i'll be fine, all right?
- we're wasting time arguing.just help me. - yeah.yeah, yeah, yeah. so you really don't thinki'm a mass murderer? - 90% sure. - what's your name? - tori. - don't forget to give meyour number after this. - i clean up nice. - [laughs]
- how much time do we have? - 55. 54. - all right, it's as far inas i'm gonna get it. - no, see if you canpush it farther. - it's as far inas i'm gonna get it! leave the flashlight.go back. leave the flashlight!go back. if this bomb goes off,you're gonna be needed in there. go!
- come on, baby.let's go. - go. - stay here. - i love you. - please tell me to stay. - you gotta go. i love you. go. - come, come.come on.
- [yells] - tori, come on! - we have to help him! [metal clatters] - just go.go, go, go, go. - [screams] - [grunting] and your mommy loves you. beep!
- i don't know.it should have gone off. - you did what he said? - i pulled both wires,just like he said. - go, go. - gracias. - she'd be really proud of you. - kathy. her name was kathy. - mom.
- hi, baby. hey.- hey. how you doing? - i could use a vacation. - seriously. - better. much better. - see? - can't even feel anythinganymore.
- well, did you find anythingin the bags? - just a few water bottlesand snacks. nothing much. - and-- well... i don't even know your names. - i'm tori. - rubina. - i'm sam.
- al. oh, right. you charmed that out of me. - i'm mason. so listen. that bombstill makes me nervous. i'm going to seeif i can set it deeper and then barricade the tunnel. - i could get it inthe furthest.
i am the smallest.- no, that's not necessary. it's as deep as it's gonna get. i--i buried it in there. - okay, i still needto barricade the tunnel, though. - what is the problem? we know who the bomber is,don't we? - i just don't thinkanyone should be left alone with the bomb, okay? - fine.
you come with me. it's a two-man job anyways. he was good luck last time,right? come on.let's get to work. - all right. - what are you doing? - look, i knowyou didn't do this, okay? so i'm going to tryand find something on the bodies to prove it.
- no, no, no, no, stop. stop.it's no use. he's probably long gone. - or he's one of the peoplethat died and we should find out. - it's me. i'm the bomber. - what are you talking about? - it's what everyone elsethinks,
and it's probably the best thingfor all of us. - so we shouldjust let him get away. - if he's alive,the only thing keeping us safe is if he thinkshe got away with it. so let me take the rap. i'm fine with being guiltyuntil rescue arrives. the cops will sort it out... as long as we're still here. tori?
just let it go. - uh, i just want to see if i can push it ina little further. - it's in as faras it's going to go, mason. - what's the matter, sam? you think i'm the terrorist now? - no, i don't thinkyou're the terrorist. i think al is the terrorist. we have the subway books.he knew how to disarm the bomb.
i just thinkwe're wasting our time! - he would have chewed offhis arm to get cover. i don't think he had any clue if it was going to go offor not. you didn't detach the wires. - uh, i can't reach it. see--see if you can finda pole, 'cause i want to tryto push it further in. [glass crunching]
sam? you get that pole? sam. [rock clatters] - bastard. still looking for clues? - don't worry;i didn't find anything. - he's probably long gone. - sorry.
why were you crying before? - huh!which time? - when you got on the train. you were crying over some guy,right? - my dad. what is he? doctor? lawyer. - preacher.
- so you're really screwed up. - yeah.you couldn't tell? no, he's, um... he really is a great dad. this morning, i, um-- i never wanted to see him again. now i'm terrified i never will,so... [loud bang] is everyone okay?
- yeah!yeah, we're fine. i think it came from outside. you stay with mommy, okay? - these guys are hurt! are you okay?hurry! - where are you? - over here. over here.over here. - hey, sam, sam, sam. you okay?come on, stay with me, buddy.
- mason.- let's get up. - [groaning]- i'm going to get yolanda. - i've got him.you get mason. - okay, okay.- come on. - mason. - come on.sit over here. no, no, no, no, no.mason. - esta muerto. - i heard a--a crack,and i looked up,
and the next thing i knew,i was-- i was flying through the air,and he pushed me out of the way. - he saved my life. he sacrificed his life for me. he sacrificed his lifefor me. we have to make surethat his story gets told. - mason's dead. - rubina? - circuit on this sidehas a short.
it's going to drainthe batteries. it's darker, but the bottom lights'll lasttwice as long. adam was an electrician. - i'm sorry. - we were fightingwhen it happened. he gave me this engagement ring, and i wanted to return it. [light smashes]
this ring isn't our custom. we needed money. adam said i needed--i needed the ring more. no, please. please. [crying] - she's really losing it. - she just lost her fiance. i'd be more worriedif she wasn't this upset.
like sam.- what? - there's something off. the way that he-- - everybody grievesin their own way, tori. or maybe he just didn't love herthat much. i don't know, but that doesn'tmake him a killer, so-- - she's not wearing a ring. he was looking at the bagwith the bomb. it was underneath her.
- tori, i'm telling you,let it go. - no, al. mason was being rough with it. - how do you knowmason wasn't going for the bomb? he was the onewho took the gun. - al, who has the gun? - thank you.- yeah. - i hope you don't mind.i covered karen. - no, that was very thoughtful.
kathy. - oh, right. kathy.i'm sorry. i should check on her. [inaudible dialogue] - where you going? - she's really upset.we're going outside to talk. - all right.be careful. - thanks.
stop that.what are you doing? stop that.- the gun's not here anymore. i think someone took it. rubina, listen to me. i think i know who did this. and i really need your help. - what were you twotalking about? - i'm sorry they did thisto you. - i can't really blame them.
- who do you blame? it's an interesting question,isn't it? - hey, um, can i talk to you for-- it's kind of about your wife. um... you're kind of going througha similar situation as rubina, and i just don't know how muchmore of it she can take. - oh.
- i was wondering if you could-- maybe you could help her out or talk to her or something. - i'll, uh--i'll do what i can. - hey.how you doing? i'm fine, really. i just--i was noticing how beautifulyour wife's ring is. i, um--it looks likeit's coming off.
i thoughtyou might want to keep it. it's beautiful. - dillon, honey,what are you doing here? - mom needed water. - okay.um, here. - why'd you give him your ring? - that's-- - no.- no! - [gasps]okay, dillon.
- all right, girl! get over there!get over there! go.go! - okay, okay, okay. - baby, we need the waterback here for mom-- - daddy? sam, why do you have a gun?don't-- - do not move,or i will kill her. now, listen to me.
i'm taking her outside. we're going to waituntil we're rescued, and theni'm going to let her go, and she's gonna be fine,all right? do not move.do not talk. let's go. - sam.please. please just take me instead.please. - i can't do that.
i can't do that, because you would sacrifice her. now, let's go very slowly. - please.it's okay. - all right, go through therevery, very slowly. - no, jared.jared. jared. - that's my baby. oh, god.- she'll be okay. - oh, my god,i just let him take her.
oh, god! oh, my god.[sobbing] oh. oh. what am i going to tellkristine? dillon?is your name dillon? all right, dillon. i know this is really scary. but i'm scared too.do you know why? because your dadis so mad at me.
did you see what he didto that man in there? i know you saw that. he hurt that manreally badly. and i don't want himto do that to me. what can we do? i have an idea. inside that cave,there's a doctor's kit, and it's full of good medicine that'll fix your mom up.
now, if i went and got that, i could bring it in,fix your mom up, and your dad would like me. but that cave is too small.i can't fit. you could fit. - i can't do it. - yes, you can, becausethink what would happen then. your dad wouldn't be mad,would he? if i fixed your mom?
right?yeah, okay. so you're going to do that;you're gonna go in there and get that doctor's kitwith all that good medicine. and you bring it out here.go on. i'll be right behind you. i'm gonna go get a lightso you can see, and you bringthat doctor's kit out. go on, dillon.go on. get in there. okay, i'm getting a light.
donde esta dillon? - sam. sam took dillon. - we have to get her back. we have to do somethingright now. - al, we have to doexactly what he says. - oh, now you want to donothing? you've been fightingthis entire time. - and look at what happened!
al was right, and weshould have listened to him. this is all of my fault. - what--what do you mean,this is your fault? - i thought it was sam. we figured out that he was lyingabout his wife, and we trapped him,and, jared, i am so sorry. - look, that lie would havecome out sooner or later, no matter what you guys did. at least we have a chanceto fight back now.
- no, we are not gonnafight back! if something happensto my little girl... you're not exactly a saintyourself. now, i don't trust a single word that comesout of that man's mouth, and i don't want to give himany more time to plot-- - time to do what? he can't go anywhere. he had a chance to killall of us, and he didn't.
- yeah? well, he killed my fiance. and i will be damned if i stand around hereand do nothing. - come on, dillon. good girl. all the way. come on, dillon. dillon, there is medicinein that case
that your mommy needs. now, hurry up. good girl.go on. all right, you got it? now, bring it back. [mutters]don't open the-- dillon?bad girl. lights out. now, dillon, it's pretty scaryin there, isn't it? huh? i'm turning the lights back on
but only if you bringthat case out. and if you don't,you're dying in there, dillon, and i'm going to go backinto that subway car and i'm going to startshooting people, starting with your mommyand then your dad. all right, dillon? lights on. - dillon? thud![gravel clattering]
- i'm coming! [banging] [shrieks] - slowly. you're going to open the case. you're going to put it down. all right,shine the light inside. shine it. did you break that?
did you break that?- no, no. [muffled voice over radio] [voice continues] [radio static]- the cop's radio. - shh. listen, listen.wait, where's it at? [distorted speech] - it's over here. - it's under here. i can't reach it.
- i see it.okay. man over radio: all you gotto do is let me know, okay? push that button. - i got it!i got it. - push the button.push the button. [distorted radio chatter] - don't. man over radio:...you push that button. - open palm.bring it here.
bring it here! [distorted radio chattercontinues] - toss it through. - is that you, tom?we didn't copy. do you want that? then you stay on this train and you do not do a damn thing! - he smashed it. he smashed the radio.why would he smash it?
doesn't he want to be rescued? - i told you.don't trust him. this isn't about rescue. why--why didn't hejust shoot us? - the bullets. he doesn't want the bulletsin the body. he thinks he can stillget away with this. - how's he gonna do that? - he has bomb.
- the bomb. if he rearms the bomb, he can make us look likewe all died in the crash. - no, how does he do thatwithout blowing himself up? - i don't know,and i don't want to find out. - why are you doing this? - you have a dog, dillon? what's its name? - daisy.
- daisy.all right. daisy misbehaves sometimes,doesn't she? maybe she runsacross the street. and she could get hit by a car,and she could die, right? so you have to punish daisy.you have to smack her. "bad girl!"right? 'cause she's an animal,and she operates on instinct. we're animals too-- you and i,all the people in the world.
and our instincts,they're not good. our instinctis for self-preservation. that means we careabout ourselves more than we careabout other people. we need to understand what it isto suffer ourselves. then we can stopand we can ask, "why is this happening? what do i learn from it?" we are perfectly willingto see other people die
as long as we havecomfortable lives. now, we have to do betterthan that. we have to do better than that, or we won't have a worldanymore. i'm sorry, dillon. you seem like a very nice girl. shine the light. - hi. - dillon?- she's not far.
kris, rescue's coming. you gotta stay with me.dillon needs you, honey. - yeah.- okay. let's get in position. we gotta draw this guyback here, make some noise. - maybe i could climb up on top. - okay.what are we doing? - why don't you help up there? he's never gonna expect you.
- i got a better idea. but i need a head start. [distant humming noise] - what's that sound? - all right, boost me up. - okay, on three.- okay. - hey, i see a light. - hand me the flashlight. - [whispers]hey, someone's coming.
[suspenseful music] - daddy.- dillon. oh, baby.- i ran away. - did you find out anything? did you hear himsay anything at all? - oh, he's making itinto two bombs. - what?- a big one and a little one. - he could use that small bomb to take us out;not the whole frickin' tunnel.
- hey, he just set thisunderneath the train. - there's 66 seconds. - hit stop.- no, don't be ridiculous. - all right,it's a different phone. he's only using it as a timer. - no, i'm not buying it. i say we chuck it outand everyone stays on the train. kristine's back there.she could die. - okay, okay.we disarm it.
- no! - okay, okay. when this thing doesn't go off,he's gonna know, and there's a second bomb. - i'll stop him. - how? - i'll charge him. - no, no, no, there's a gun.- i don't care. i-- - there's only one way in.
he'll know where to aim. - please, i have to do this.- no, daddy. - sweetie, listen to me.you have to trust me. - jared, i'll go with you. - i'll go too. - me too.i go. - we'll all be charging himsingle file. he'll just take us outone at a time. - then i guessi'm going in first.
what if there's another way? [metal reverberates] [gunshots] - get down! [yells] [screams] - dad!- no. - all right.that's very brave of you. it's very commendable.
but i am going to pick you offone by one by one if you do not get backon the train right now! first your wifeand then your daughter if you don't get backon that train right now. - he's wasted too many bullets,and he knows it. hey, you can't shoot us all. - you gonna gamblethat i have one bullet? you gamble that i don't haveone bullet left? - get back on that trainright now.
- you won't do it. otherwise, you would havedone it already. you're a coward. detroit, atlanta, los angeles-- i've done somethingvery meaningful. my work is done,and i'm ready to go. so don't you push me. now, last time. you get back on the trainright now.
[gunshot] - don't--[gunshot] - dillon! no! - [whimpers] no, don't. dillon.- stay back. - put the gun down. come on, baby.don't do this.
- i have to. - please, baby,put the gun down. listen to your father. - dill, put the gun down. please put the gun down. - come on.listen to your dad. - no.- no, don't. - move.- no! - he deserves to die.
he does. but it's still wrong. just give me the gun. don't do this. it's okay.hey, it's okay. [distant whirring noise] [metal wrenching] - we're gonna be okay, daddy. [mumbling]
and after all that happenedto you today, you choose virtue. the more virtuous,the harder the choice. i'm a good teacher. [laughs] - who i am has nothing to do with you. - it does now.
