watch now! detail...
♪ ♪ [ clacking ] [ screeching ] [ groans ] [ pete groans ] mr. cairo: wait! wait! [ panting ] not a good nightto miss a train, friend.
you have your ticket? hey. your ticket. you speak english?english? okay, pay me later. we got to move out. bad storm up ahead.it's only gonna get worse. okay? [ radio static ] all right, walter.get us out of here. [ poochie barking ]
clever little boy. yes, you are.yes, you are. [ barking continues ] hi. merry christmas. kalashnikov vodkafrom moscow. the same peoplewho make the guns. do me a favor. here. go ahead.take it. [ exhales deeply ]
whatever blowsyour hair back, man. who's winning now? [ chuckles ] [ sighs ] ah. hey. rather besomewhere warm? uh...yeah. uh, how much do i owe youfor the ticket?
you already paid for ittwo hours ago. didn't saywhere you were going, so i just charged youthe full fare. yeah, just a little too mucheggnog at the office party. yeah. all right, sir. time to take careof that ticket. rise and shine,buddy. no free napson my train.
god damn. hear what i said? a stroke, maybe. what? you mean he's dead? yeah, heart attack'spossible. maybe from all that runningin the cold. hey, you know what? he swallowed a bunch of pillswhen he first sat down.
he threw them backlike peanuts and then washed it downwith a slug of vodka. yeah, he took a few popsbefore he boarded the train. hey, you thinkit was cyanide? chloe: seconal. cyanide would have killed himright away. seconal -- reds. if you take too much,it'll stop your blood flow and cut offthe oxygen supply to the brain.
you think you're going to sleep,and then you never wake up. alcohol speeds upthe process. damn. wait a minute. how was i supposed to knowwhat he was taking? i wouldn't have offered hima drop if i had known.don't touch anything. where areyou going? i'm gonna radio aheadto the next station. unless you want to ridewith him till morning.
merry christmas. oh, god! hey! he's still alive! it's just a reflex. reflex, my ass. he jumpedlike he was struck by lightning. he's dead. hey, isn't it -- isn't it bad luck if a dead manlooks you in the eyes? you know, i read that once,where, um...
it means that, uh,death has seen you, and, uh... ...maybe it will track youor something. i don't knowwhere i -- i saw that. this isa funny-looking thing. put it back.it's not yours. hey! you hear what i said? look, there's a corpseright next to us, and you go backto reading?
what are you doing? the conductor told youto leave it alone. what is it? what do you see? harry, this is mileson the nightingale. yeah, we're headed upto maple creek, and i need to --hang up! what?just come backto the rear car! you'd better get backto your seat
before i putmy foot up your butt! trust me. go ahead.see for yourself. miss? i thoughti told you two to -- will you justlook inside? real? see howthe light reflects? no imitationscan do that.
i had an uncle oncewho taught me how to tell the differencebetween reals and fakes. and if he were hereright now, he would say that they wererealer than a nun's tits. how much do you thinkthey are? oh, i'd sayat least five. thousand? million. million?
depending on the latestpricing tables. yeah, i already tried that.they're locked in place. um...hey, do you gota hammer or something? that might work! whoa, whoa, wait a minute.what are you doing? i still got a dead manto report. wait a minute! maybe we shouldthink about this first before we do somethingwe'll regret later, all right?
i mean, i'm nottalking about stealing it. i'm just... all right,maybe we could keep half, and then givethe other half to charity? huh? how aboutthe boys & girls club? that's a good group. huh? look... look, this is a lot of moneyin front of us right now! that doesn't meananything to you?
huh? miles? chances are someone elseknows he's carrying it. what happenswhen they come looking for it? we'll be long goneby then. i won't. you and her get off this train.i don't. [ breathing heavily ] so quit.quit your job. retire. huh?
[ chuckles ]you got a wife? hmm? well, maybeshe'd like to live in a warmer climatefor a change, huh? i can take care of my wifewithout your help... or a dead man's. chloe:what if no one knows he's dead? what did youjust say, miss? if the body isn't reported, no one will know he's dead.
he didn't buy a ticket. that's why you came back herein the first place. no one will knowhe was ever on this train. but he's on this train --my train. what am i supposed to do, let him rottill new year's? one second. so we left fallbrook, and we're headed towardmaple creek, correct?
how much timetill we get there? 29 minutes,16 seconds. you know thatdown to the second? i know everything aboutthis train exceptits favorite color. and this is a river.it's the sturgeon river. well, how much timeuntil we cross that? we cross thatin 19 minutes. is it wide enough that itdoesn't freeze over in winter? i suppose.
strong rapids? i guess so. why? that's where we candump the body. i mean, with the rapids, there won't be any connectionto the train. 'cause it's winter, it'llprobably get stuck under the ice and foundsometime in spring, all decomposeddown to the bone. miles. i don't know.
maybe she'sonto something here. yeah, a prison sentence --one i'm not serving. you won't be connected. you're just the conductor. you've just beendoing your job. and he was passed out drunkthe entire time. he doesn't know anything. i was, and i usually am.which is -- it's true. i'm getting offat the next stop.
so, it's as if we're strangersand we've never met. yeah, and it's stayingthat way. miles! don't -- follow me, and it's your assthat's gonna be dumped, not him! 11 years in sales, and i can't convincea working-stiff conductor to keep a fortunefor his retirement. oh, did i mentioni suck at my job? maybe you should tryconvincing him again.
yeah, well... he's made the callby now. how can you be so surewhat he's doing up there? well, what the hell elsewould he be doing? you think he lied? huh? and he's keeping itall for himself? stay here. the only way to get in and outis with my key.
i'll grab a wheelchair we usefor handicapped passengers. right.now we're talking. we should put himinto something, though, so that nobody sees himfloating down the river. we've got suitcases and a trunkin the baggage car. is the baggage carfar from here? it's at the other endof the train. well, we just needto wheel him over there without anybodyon the train noticing.
i'll lead the way,clear a path for you two. how are you gonna do that? diversion, charm. i'm a salesman,aren't i? [ inhales sharply ] it's a good game. too close to the edge. if you can't attack himeffectively, leaves you weakin your defenses, okay?
don't worry. i'm gonna --i'm gonna help you out, too. uh, are you all, uh... ...covered with traveler'sinsurance on your stay here? well, my company,uh, we specialize in covering touristssuch as yourself. here, check it out. travel delays... oh, oh, oh.[ speaking japanese ] ...medical expenses,in-hospital indemnity,
we've gotrental car collisions, accidental death --happens -- and, uh, that's not supposed tobe in there, all right? [ speaking japanese ] what? marquesas islands? marquesas... yeah, yeah, you like? marquesas islands. it's in the south pacific,right by y'all.
here, let me show you.it's, uh.... yeah, you got japan up.... and this is only one islandin the whole chain. all of them --created by volcanoes. did you all see me back there,kicking ass? i mean, what am i doingin sales?check the next car. there's an old ladysitting in there. no worries. okay, miles? i'm just gonna sweet-talk her,like i did --please --
don't worry, honey. it's allunder control. you know what? in my line of work, you gotto improvise all the time. is that how you ended updrunk on the train with no idea what stopyou were getting off at?hey, come on. we get delayed,we miss the bridge. relax! okay?i got it under control. come on! wait. [ toilet flushes ]
mrs. froy: the doorseems to be stuck, poochie. oh, good heavens. are we going to be stuck in herefor the rest of the journey? oh, thank heavens for that. there we go,my clever little boy. oh! how are youand, uh, poochie doing? well, between you and me, we are sufferingfrom a bit of gas,
but we're still goingto have our midnight meal. oh, good heavens! what's he doingin my car? i guess he wantedto take a nap. yes, well, he certainly doeslook dead to the world. a bit too muchholiday cheer, i'm afraid. oh, dear. that's why i leftmy second husband, alfred. he was havingtoo much holiday cheer
seven days a week. [ poochie barking ]oh, poochie!poochie! poochie! uh, stop! poochie! leave the poor oldsoak alone. w-would you liketo switch cars, ma'am? well, perhaps i'd better. poochie certainlydoesn't care for him, and i really trusthis taste in people. i'll get your things.
oh, thank you, dear. yeah.uh, call me miles. [ grunts ] okay.how much time do we have? miles: 11 minutes. this one's the biggest. incoming! [ grunting ] take it away.
miles... tell me you havea bigger trunk than this. no. no? no! you said that he was gonna fitinto something. that's why we brought himall the way back here! i said there wasluggage in the back. maybe it was unloadedfive stops ago. i don't know.
wait, you know all --you know all the train routes down to the second, but youcan't seem to figure this out? hey,packing dead bodies was not part ofmy job training! this is ridiculous. damn it!it's not gonna work. okay. all right, sorry. i'm sorry. new plan. new plan.
when we arriveat the next station, i'm gonnatake him off myself. all right?yeah? yeah. i'm gonna put his armaround my shoulder. i'm gonna just walk him out like he's drunk,like he's my buddy. and i'm gonna take himoff into the woods or... by the garbage dump,or... frankie: excuse me.
it's staff only in here. i was just lookingfor a washcloth. a washcloth? really --my lenses are dirty. thanks. hey, if shedoesn't come back, does that meanshe loses her share? we're taking himback to his seat. yeah, we're going to forgetthis madness ever --
wait, what are -- sorry it took meso long. i had to leave the kitchen carwith some gopher. wait.what were you doing? [ grunts ] oh. well... ...improvising. whoa, whoa, whoa,whoa, whoa, whoa. it's gonna be quick,all right?
we haveapproximately 7 minutes before we cross the bridge,all right? okay.miles: hey. hey, s-stop! what's wrong, miles? what's wrong? this iswhat we have to do. you're about to carveinto that fella like he'sa christmas turkey.
i took an autopsy classlast semester. i know exactlywhere to make the incisions. you're not thinkingstraight, miss. you gotto clear your head. my head's never beenmore clear. hey, put downthat knife. it's a meat cleaver. i'm calling in the authorities.it's already been decided. did you agree to this?
uh, well, we --it's not -- we didn't take a vote. okay, well,let's take a vote. right. okay. uh, raise our hands,secret ballot? hey, hey, there's no vote!no democracy! my trainis a damn dictatorship, and i'mthe damn dictator! so, put down that knife,cleaver,
or whatever the hellyou call it, and returnto your damn seat and your damn senses! all right, miles. you're in charge. [ electricity crackles ] i'm sorry, miles. we agreed upon a plan. not his. not yours.
mine. and that's whatwe're gonna carry out. you can't call the cops now, unless you can explainhow he got his head chopped off from having a heart attack. we don't have that much timebefore we cross the bridge. i'm gonna take careof his arms and legs. oh, my god.we're gonna fit himinto the trunk. i guess this would be
the downsideto working with strangers -- the possibilitythat one of them turns out to bea psychotic. she's crazy, but she may be rightabout one thing. we can't call the cops. i mean, there's no wayto explain this, you know? she put us in one hellof a corner, you know? you know what?
i thinkit might be a good idea if i take him offat the next station, you know? find a nice, safe placeto bury him. done. you know? i mean, now that we know that she's notin her right mind. are you? in your right mind? sure.
i've seen a lot of bad thingsin my life. but evenin my worst moments, i always knew who i was. well...come on. you're still the same manthat you were before. everything changed when we looked insideof that thing. i mean, we're talkingabout a lot of money here. [ grunting continues ]
it's notabout the money. when i looked inside i... ...i felt... ...different. i'm taking him offthe train at the next station. yeah, go hometo your family. sip eggnog,roast chestnuts, put some carrots outfor santa's reindeer, okay? miles?no, miles isout of commission, okay?
i'm in charge now. we're almostat the bridge. forget about the bridge. we're on a new route,and i'm behind the wheel. okay, now, i'm gonnabe taking a higher cut. only fair. right? of course, because nowi'm taking a greater risk. i think we both knowwho took the greater risk. we're taking it off the trainright now.
what are you gonna do, chop meinto little pieces if i do? well, i couldtake something and i could just jam itinto your carotid artery. you wouldn't feel anything,and then you'd go to pull it out and then you'd looseall blood flow to your brain in under 5 seconds. we've got three minutesto the bridge. we're finishingwhat we started. [ both grunting ]
where's the bridge?did we cross it already? i can't see yet! this is crazy!let's go inside!go inside! where's the bridge, miles? hey, here it comes!it's coming! now! just push! push! this is it!come on. pick it up!lift it!
go! let's do the damn thing! come on! lift it!come on! throw it!come on! did we make it? [ rattling ] hide! miles?miles, where are you? give me your 20. over.
chloe! open the door!open the door! hey, hey, no one's gonnahear you! no one! hey, no one. come on.don't waste your breath! don't waste your energy!no one can hear you! we're gonna freeze to deathout here! we're not gonna freeze to deathout here! i-i'll be comingright back! hey, i'm coming backto get you! i'm coming back!stay here!
are you crazy? aah! miles! god! come on, miles.come on, come on, come on. please.please, please, please. [ speaking indistinctly ] [ whimpers ] oh, my god.it's so cold out here. [ muttering indistinctly ]
what are you doing here? i stole these... and i was headingback to the baggage car to save the two of you. give me the keys. [ groaning ] hey, the moment you get warm,get back to your seat. you too. hey, i'm gonna go take thisinto the kitchen.
hey, hey, no.i'll take that. i got it. go back to your seat. [ whimpering ] oh, god. all right, pal. hey, go back to sleep, baby. i just wanted you to know you'll be moving into the nicewing of the hospital soon.
[ chuckles ] yeah. we're gonna get youyour own room there, the best doctors, so don't worry what thosegoddamn hmo people said. i don't know. i'm okay, a little tired.why do you ask? hey, s-sweetie,don't worry, really. why would anythingbe wrong with me? you're -- you'reimagining things.
i guessyou think i'm a lunatic for what i didback there. uh... who hasn't sliced and diceda corpse from time to time? miles would have reported himto the cops if i hadn't done it. you don't need to morallyjustify yourself to me, okay? i'm in sales, remember? although i can say...
i've never cut off a man's headfor a commission before. it's not like i've ever doneanything like that before. i'm not a bad personor anything. i'm not a bad person. i... i know. it's okay. it's all r--hey, it's all right. you did tryto save me, right?
i mean, if you were trulya rotten soul, you wouldn't evenhave made the effort. tell me you gota hammer in there. smash the mother. all right, step back. hit it harder! i'm hitting itpretty damn hard. shit. man, this woodis so damn solid! there's not even a scratch.
give me that! all right. yeah. merry christmas! [ train whistle blows ] hey, we're pullinginto the station. come on. we'll have to openthis later, okay? that's my stop. my parents are waiting for meat the station. all right,well, give us your address,
and we'll send your sharein the mail. hey, hey, hey.hey, hey, hey, hey! hey, hey, give me that.give me that. no. no one's taking it. all right? if the box is staying,i'm staying. what about mommy and daddywaiting at the station? my problem. as faras you're concerned,
i got off this trainlike my ticket says. i'm keeping both of youout of view, so i'm locking up this car. you're locking me in herewith her? now, what's the pointof that? my sanity. [ wheels screeching ] what are you gonnatell your parents? nothing.
aren't they gonna wonderwhere their daughter is? i just don't care. and i'm not gonna go backto med school. where does life take youfrom here? somewhere far away. yeah, i heard that. thought you quit10 years ago. that's why you got to stopwhen you're young, kid. miles,the baggage car was open.
i mean, it was wide open,you know? yeah. forget about it. here's your keys. you want meto check the hoses? oh, they're gonna put this trainout to pasture next year. may as well just let itrot in peace. you okay, miles? yeah.let's get out of here. i want to see my wifeby christmas morning.
hey, you knowwhere i'm headed? marquesas islandsin the south pacific. it's where paul gauguin spentthe last years of his life. you know,the french painter? i've heard of him. yeah, well, he left his wifeand kids, the life he knew. totally rejectedcivilization. sounds perfect. you're more than welcometo come with me, if you'd like.
have you starteddrinking again? no. no. no, i haven't --i haven't had a drop. here, see? look at that. and you know what? i don't even want any... ...for the first timesince i was 15. congratulations.
miles, i really do needa promotion. you know how it is, taking care of a family,and... oh, you got to getanother job, kid. you can't take care of a wifeand baby working on a train. go back to school. learn about computers,airplanes, something with a future. what do you mean?you're not gonna recommend me?
the train is a dead end.it's a relic, okay? but i want to be a conductorjust like you. you don't want to beanything like me. i want to be!are you fucking deaf? you're not gonna belike me. you're not gonnawork on a train. never. [ train powers off ] so, what do you say?it's all coming together.
i'm free of the booze. you're off your folks. what do you sayto a warm climate and a new beginning? thanks, but... i spentenough of my life following somebody else'sdreams. do you knowwhat i mean? i'm frightfully sorry.i haven't got a ticket.
the ticket officeappears to be closed. you can pay later. no, no, my good man. i shall --i shall pay immediately. tell me --is the, uh, bar on board still open,by any chance? uh, all nightfor the holidays. some dark jamaican rumwould be just the ticket. perhaps you'd be kind enoughto send it down to the rear car? please,keep the change.
rear car is closed. i was supposedto meet a friend there. short fellow.mr. cairo. got on at the last stop.couldn't miss him. you don't know where he'ssitting, by any chance? you mean, you don't knowwhich car he moved to? i mean, i haven'tseen anyone on this train by that description. oh.
and, uh, no one hasleft a message or asked for me? my name is mr. gutman. well, i-i shall justhave to find him myself. never mind. come on, miles.where the hell are you? mr. gutman:so, he was staying here. was he on time? miles, uh, this gentlemanis looking for a friend --
a short guy. what happened to that manwho got on at fallbrook? all nervous,taking pills? oh, him? uh, he's whoyou're looking for? so, he didget on this train. yes. uh, no. i mean...uh, he got on board, uh, but he got off again.
he got off again? he did? no.when? i didn't see that. he said he couldn'tpay for his ticket, so he left before wepulled out of the station. why didn't youtell me this before? oh, i didn't makethe connection. we go through so manypassengers around the holidays. well, we do?since when? it was my mistake.
i apologize. damn it. can't you call your friendand find out where he is? i shall neversee him again. he betrayed me. he couldn't help it. don't you havehis phone number or -- frankie, finish packingeverything in the kitchen. okay.
anything else, sir? i'm here if you need anything. oh, miles,a very merry christmas to you! ah, merry christmasto you. ooh, poochie's really lookingforward to his breakfast, and i'm going to havean apricot brandy instead of tea. why, i thinkit's perfectly acceptable to raise a toast to jesuson his birthday.
don't you?yes. oh, how lovely! both elegant and festive. oh, and look, poochie, bacon, especially for you,just the way you like it. who's a lucky boy? oh, miles, by the way,that man's gone. you know,the little drunken fellow that poochie didn't like.
well, he's notin his seat anymore. do you think perhaps he got offat the last station? because, if he did, i'd really like my old seatback again. the car you put me inhas got such a dreadful draft. [ knock on door ] miles, you'd better have broughta chainsaw with you this time! where is it? give it to me,
or you'll be cleaning up both of their brainsfrom the floor. just reachingfor my keys. don't tryanything clever. no, sir. i like my brainsjust where they are. i've got to moveto the back. well, then, move. all of you.
okay,it's all good. [ breathing shakily ] stop. is it hot? the sides --are they hot? put it overon the seat. go on. who else on the trainknows that it's here? no one.no one else knows.
my partner saidhe was being followed. he asked meto meet him on the train because he fearedfor his life. we didn't know him. he overdosedon pills and vodka. she's telling the truth. well, it was morewith pills than vodka, but... aah! aah! aah! move back!
you're not taking it!it's ours! ah! that's whyyou must let me have it. we mustn't wasteany more time.just get out of here! you don't understand. there are others.i'm not alone. what others? who? competitors,rivals, enemies. we pursue each other,work together,
betray each other,travel around the world following rumorsof its latest sighting. your lives are at stake. please, please!just go, go! anyone who looks inside itwill be dead by sunrise. no exceptions. look, the only onewho's gonna be dead is you if you don't get your assout of here! the worst-possiblekind of death --
death from the inside,the corruption of the soul. if you want to avoid this fate,you've got to let me destroy it. and i knowhow to do it, too. i have a key. i'll open itand then smash it into oblivion. fine. take it. destroy it. all we wantare the gems inside. gems?yeah.
[ chuckles ]is that what you saw? [ laughs ] how ordinary. frankie on walkie-talkie:miles! pick up, pick up! miles! pick up! no, i --[ grunts ] no! no, no, no! you! [ gunshot ]
that was --that was self-defense. it was self-- he wa--he was trying to kill us. it was self-defense because he was tryingto kill us, right? miles:no one's gonna believe that. that was... no one's gonnabelieve this. oh, man! he was...
chloe: it's gonnabe quicker this time. it was self-defense.it was self-defense. we'll dump him. is there a lake or rivercoming up? miles, where are you? i've got a g-20! do you read? g-20! what's a g-20? an unscheduled stop. why are we makingan unscheduled stop?
[ siren wails ] you're gonna go up frontand stall them and unlock the sleeper. the second door. what was hegoing on about? death by sunrise?corrupting our souls? he was just tryingto scare us. yeah, well, he dida pretty good job at it. i wish i had never seenthose goddamn diamonds.
d-diamonds? what,are you color-blind? they're emeralds. [ chuckles ] who's never heardof green diamonds before? they're diamonds.white diamonds. no. that's notwhat i saw. miles! where are you? g-20... pete: how could younot see the emeralds?
they were so beautiful!they were magnificent! well, if you want tosee them again, you'regonna come over here and help me movehis goddamn arms. melville:the trunk hit the ice just as it passedover the bridge. two fellas out ice fishing said it split openupon impact, spilling body parts outall over the place. arms, legs, and a head.
what kind of sickowould have done such a thing? miles, i'm gonna needto see the passenger list. pete: open it. okay. wait here. where are you going? open! nobody's in the sleepers,yeah? no, they've been locked upall night. hey, why are you throwingmy stuff up there with him?
you're gonna go up there. get up there right now. no. not a chance in hell.why would...? is your invitationstill open? the marquesas islands.you and me. you and me? so, who drinkskalashnikov? we can't trust milesanymore. he's gonna crackwith those cops on board.
he's not likethe two of us. he doesn't want itbadly enough. it's gonna be you and mefrom now on. well, what do we wantso badly? we all saw different thingsinside. you don't want it anymore? no. i just... you just what? i'm trying to figure outwhat the hell's going on here.
i'm just --it's just all so confusing. it doesn't have to beconfusing. go up there, and i'll handleeverything, okay? how are you gonnasave us? you gonna pin it allon miles? somebody has totake the fall. h-how are you gonnado it? when you trust me.
why should i? you know why. you have to go up. okay?you need to go up now. already told you. i locked all the compartmentsthis morning. none of the passengersare staying in the... i'm detective melville. i take ityou're not peter dobbs.
i'd be pretty upsetif my parents named me that. this compartment's supposedto be unoccupied... and locked. i was really tired, so... i picked the lock. i didn't knowit was such a crime you'd stop a whole trainover it. what's your name,ma'am? chloe white.
says here, miss white, that you were supposedto get off at maple creek. supposed to get off? you meani missed my stop? my parentsare gonna go berserk. my mom was cookingthis brisket. she's gonna go nuts. you been alone in herethe whole time? of course.
so, uh... you always sleep naked in bedsthat don't belong to you? depends on the bed. i just -- i didn't want to wrinklemy christmas dress. we'll take the interrogationsin the dining car. the interrogations? you got two minutesto get dressed, ma'am.
so, peter dobbsis on this train for two hours, and you don't get a lookat his face? well, he's passed outthe whole time. i just didn't geta good look at his face. mrs. froy:no, we didn't get a good lookat his face, did we, poochie? well, he was asleep, you see,when he was in my car. and miles --that's our conductor, charming man -- he said he thought he'd hadtoo much christmas cheer.
he was really drunk. wasted. all these little,mini liquor bottles. did you happento notice a luggage trunk? yeah, it was...an old-fashioned kind of thing. and did you see if he wentto the front of the train at all with the luggage trunk,miss white? he left to the front ofthe train right beforei went to the sleeper car. frankie: when i wentinto the baggage car,
the loading doorwas wide open. i thought it was a screw-upat the last station, but if this, uh... peter dobbsis missing... ...well, maybe he was the onewho opened the door, so he could dump the body. so where isthis peter dobbs now, if he's noton the train? he wants to goto these islands.
right. made by volcanoes. [ panting ] hello? hey, what's going on? make sureyou bag evidence. miles, i'm gonna be stayingon board the nightingale, and when we pullinto the station, the train will be impoundedas evidence. frankie on walkie-talkie:miles! i have a loose air hose.
i'm out of tape. get me outof this sardine can! hey,what are you doing? hey, i can't breathe! hey!i can't fucking breathe! [ banging ] [ gasping ] i can't breathe! [ banging continues ]
i need you to goto the baggage car, take all the suitcases, and bring themback to the sleeper. all the suitcases? for both bodies. he's dead? that depends on how much oxygenhe has left. it's justyou and me now. come on, miles.
it's the perfect plan. they're looking for his body.they're on a manhunt for him. and whenthey don't find it... they'll close the case,and we'll be in the clear. so, you can goget the luggage. i'm not gonna haveanything to do with this. you want to seeyour wife again? hmm? you're completely gone.
you know that, don't you? but i'm all you've got, so go get the luggage. now. [ gasps ] pete. back up, old man. back! on your knees!
i confess. i'll confessto everything. i saidget on your fucking knees! [ chokes ] [ thuds ] chloe: great, miles. now we have three dead bodiesinstead of two. the man was right. we got to destroy itbefore it destroys us.
we'll both be deadby sunrise if we don't. open the floor. it's gone! move! where is it?where did you put it? maybe it slidto the back. the rear car is closed. [ yelps ] where is it, frankie?
w-where did you put it?you took it. i don't knowwhat you're talking about. hey, i know you have it! you'rethe only one else with a key! miles --come on.where is it? it's mine now. i'm keeping the goldfor myself. gold? hey, hey,listen to me, kid. [ cracking ]
i got locked out. listen, what you sawwasn't real! yeah, right. the gold was fake. that's why youthrew a dead body off the train and lied to the copsto keep it. it is all a trickin your head. there is no gold,no diamonds, no rubies or emeralds --nothing, not a goddamn thing.
miles, give it up. don't screw up your lifeover this. trust me. trust you? is that a joke? you don't trust me to watch overyour precious train, but you trust a bunchof strangers, no problem. i tell you i got a babyon the way, and i need help, and what do yousay to me?
"get a better job."well, miles, fuck you! fuck you! this isn'tyou talking, kid. when you look inside of it,it changes you. don't call me"kid" anymore. don't call me"kid" anymore! you're nothingbut an old man who's done jack shitwith his life. you're a loser. you can't even take careof your own wife
dying in the hospital. i'm not gonna beanything like you. i'll be able to providefor my family. aah! god! get away from him! stop this trainright now! stop it! stop it!stop the goddamn train! i can't from this car!you'd better stop the trainin the next 60 seconds,
or i'm gonna start digginginto vital organs. the emergency brakeis in the other car! stop lying!that's the truth! he's right! he's right. shut up! and you better tell me where you hidwhat belongs to me. stop the goddamn train!
[ coughs ] i love you. please.please help me. [ gunshots ] frankie? [ barks ] oh! what? what? what?what is it? we got to go,mrs. froy. now!
what?now, now. miles, what are we doingin here?shh, shh! we got to be quiet.those men out there are killers. oh, miles,you're mistaken! be quiet! they alreadykilled frank -- they bothhad to be killed... [ male voice ] ...becausethey were both in my way. [ barking ]
the legend's true. it heats up...when somebody has to die. [ gunfire ] he'd been searching for itfor years, obsessed, just like those others. he'd never usethe same disguise twice. don't worry. i won't kill you. unless...
i looked inside it,right? that shouldcool it down. where did itcome from? depends onwho you ask. the man who came on board,mr. gutman -- he said that anyonewho looked inside of it would be deadby sunrise. that's whateveryone says. i looked inside.
i'm going to destroy it,what else? mr. gutmansaid there's a key to open it and once it's opened,it can be smashed into oblivion. step away from the sink! his dead bodyis still in the sleeper car. the key must beon it somewhere. i'm like you, miles.i do my job. but don't youwant to destroy it? i want my governmentto check it before i do.
hey, hey! don't shoot! he's my engineer. why'd youcome back here? walkies are out.controls are dead. the train can't stop. it seemsto run on its own. call dispatch! there's no radio,no phones. we're being diverted...
to a dead-end track. we're gonna crash. over here. we've got to separatethe wheel car -- detach the couplerwith a crowbar. we got to do it now, fast. hello, miles. that old ladyshould have known better. when you fire at someone,you should hit a vital organ.
preferably the brain. get that crowbarof yours. it wants usto kill each other. why shouldwe let it win? it'll kill you, maybe. but never me. i'm the one it's been searchingfor, for all these years. i'm the only onethat it really wants. why do you think it protected mefrom that bullet, huh?
it loves me. it really loves me. and i love it. [ screams ] oh, shit. [ creaking ] [ creaking continues ] [ electricity crackling ] [ pin clanging ]
[ screams ][ grunting ] aah. aah! aah! miles: miss! come on,take my hand! i'm not... take my hand. come on, miss! come on!grab my hand!
aaaah! grab my hand! grab my hand! grab it! grab my...no. [ train whistles in distance ] i beat you. [ poochie barks ] no, no. go. no.
poochie. [ creaking slowly ]
